Introducing Aurora
Aurora is the first collection we have built around movement rather than form.
The reference is not the aurora’s colour but its behaviour: a slow vertical drift, brighter at the edges than the middle, never quite still. Reproducing that in glass meant abandoning the uniform diffusion we had spent years perfecting. The cascade is deliberately uneven – denser at the crown, thinning as it falls – so the eye keeps moving instead of settling.
It is made in three heights. The tallest runs four metres and is intended for a stairwell, where it is seen from several floors at once and never the same way twice.
